It’s been a while since I’ve listened to KOTOKO‘s Re-sublimity and agony, the opening and ending tracks for 『神無月の巫女』 respectively. Having just given the two a whirl again (and wow, I’ve forgotten how awesome these two tracks were), I realized how the beginning of agony was somewhat like Love Planet Five‘s 『天壌を翔る者たち』 in the sense that both tracks didn’t get going with the lyrics until over a full minute has passed. Upon closer inspection, I realized that both tracks were actually composed by the same person, 高瀬一矢. Seems like the fellow also composed Suppration-core-, an insert track for 『神無月の巫女』, and here we also have this one minute opening of full techno before the lyrics rolls in.
So what does this all mean? Nothing in particular, really, I’m just trying to avoid studying for the ECON 102 final. I’ve actually had thoughts of blogging the first episode of sola today but have not done so because I figured my time would be better spent on preparing for the final. I guess I have not lost my sanity and sense of priorities completely since those entries always takes a while.